Tina Hainschwang's (*1986) works are located in a veritable bed of ambiguity between the strange and the familiar. Meanings hang in the balance, questions are more present than answers, and the artist counters a longing for unambiguity with disorienting ambivalence. In the exhibition Chambre Séparée, the artist, who works in Salzburg, subverts the supposedly male domain of the hidden back room. Never without subversive humor and presented through subtle alienations, Hainschwang presents sculptures that lie between desire and revulsion as well as the familiar and the unusual.

– Niklas Koschel